Publikationen

Herausgeberschaften

The Aesthetics of Authenticity. Medial Constructions of the Real. Mit Wolfgang Funk und Irmtraud Huber. Bielefeld: Transcript, 2012.

Artikel

"Lost in Translation: Narratives of Transnational Displacement in the Wordless Graphic Novel." Transnational Approaches to Graphic Narratives: Comics at the Crossroads. Ed. Shane Denson, Christina Meyer, and Daniel Stein. New York: Bloomsbury, 2013, im Erscheinen.

"'To emerge from its transitional funk': The Amazing Adventures of Kavalier & Clay's Intermedial Dialogue with Comics and Graphic Novels." Scandinavian Journal of Comic Art 1.2 (Winter 2012): 3-28.

"A Kinder, Gentler Americanization?: Transnational Cool in the TV Series 30 Rock." Transnational American Studies. Ed. Udo J. Hebel. Heidelberg: Winter, 2012. 519-539.

"'Brooklyn Zack Is Real': Irony and Sincere Authenticity in 30 Rock." The Aesthetics of Authenticity. Medial Constructions of the Real. Mit Wolfgang Funk und Irmtraud Huber. Bielefeld: Transcript, 2012. 237-260.

Mit Wolfgang Funk und Irmtraud Huber. "Exploring the Empty Plinth: The Aesthetics of Authenticity." The Aesthetics of Authenticity. Medial Constructions of the Real. Mit Wolfgang Funk und Irmtraud Huber. Bielefeld: Transcript, 2012. 9-21.

Lexikaeinträge

"Ally McBeal." Klassiker der Fernsehserie. Hrsg. Thomas Klein und Christian Hißnauer. Ditzingen: Reclam, 2012. 274-279.

"The Escapist", "The Originals." Critical Survey of Graphic Novels: Heroes and Superheroes. Hrsg. Bart Beaty und Stephen Weiner. Pasadena: Salem Press, 2012. 25-29, 482-485.

Rezensionen und Miszellen

“Rebels with a Cause: Creativity and the Teen Drama.” Online-Video und Text im Rahmen der Themenwoche “Teen TV and Pedagogy.” Media Commons/In Media Res. 12.-16. November 2012.

"Stephan Ditschke, Katerina Kroucheva, Daniel Stein (Hrsg.) Comics. Zur Geschichte und Theorie eines populärkulturellen Mediums." Amerikastudien/American Studies 56.3 (2011): 491-494.

Gastvorträge und Konferenzbeiträge 

"'Quality TV" and 'Graphic Novel': What's in a Name?" Cultural Distinctions Remediated. Beyond the High, the Low, and the Middle. Leibniz Universität Hannover, Deutschland. 15.-17. Dezember 2011.

"A Kinder, Gentler Americanization?: Transnational Cool and 30 Rock." 58. Jahrestagung der Deutschen Gesellschaft für Amerikastudien (DGfA). Universität Regensburg, Deutschland. 16.-19. Juni 2011.

"Conspicuously Creative: Post-Network Television Series." Gastvortrag. Georg-August-Universität Göttingen, Deutschland. 22. Juni 2010.

"The Haves and the Have Nots: Creative Class Wars in Veronica Mars." Transformations: Theorizing Race and Class in the 21st Century. Freiburg Institute for Advanced Studies/Albert-Ludwigs-Universität Freiburg, Deutschland. 17.-19. Juni 2010. 

"'What you call 'love' was invented by guys like me to sell nylons': Contemporary U.S. Television Between Co-Optation and Innovation." Gastvortrag. Technische Universität Chemnitz, Deutschland. 30. November 2009.

"'Quick quips and pop culture-laden bromides': Cultural Education in The O.C. and Veronica Mars." 56. Jahrestagung der Deutschen Gesellschaft für Amerikastudien (DGfA). Friedrich-Schiller-Universität Jena, Deutschland. 4.-7. Juni 2009.

"All in the Family: Representing (Post-)Postmodernism, Popular Culture and the Culture Wars in The Corrections." Gastvortrag. Universität Mannheim, Deutschland. 26. Mai 2009.

"'To emerge from its transitional funk': The Amazing Adventures of Kavalier & Clay's Intermedial Dialogue with Comics and Graphic Novels." Academic Perspectives on Comics, Manga & Graphic Novels as Intercultural & Intermedial Phenomena. Växjö Universitet, Schweden. 16.-18. April 2009.

"'Hours of Mind-Numbing Escapism': Preemptive Irony in The O.C." Doktorandenkonferenz American Studies. Leibniz Universität Hannover, Deutschland. 28.-29. September 2007.