Superhero Blockbusters: Seriality and Politics, Edinburgh University Press, 2022. 


Modernity and the Periodical Press: Trans-Atlantic Mass Culture and the Avantgardes, 1880-1920, with Ruth Mayer, forthcoming with Brill Publishers. 


"Politische Ökonomie des Seriellen." Handbuch Televisuelle Serialität, hrsg. Sven Grampp und Olga Moskatova, Springer, im erscheinen. 

"Cinematic Populism: James McTeigue's V for Vendetta, Super Hero Movies, the Guy Fawkes Mask, and the Popularization of Populist Ideology." Popkultur und Populismen? Interdisziplinäre und internationale Perspektiven, hrsg. Maria Anastasiadis und Charis Goer, transcript, im Erscheinen. 

"Keywords for a Theory of Comics in Periodical Media & the Case of the New York Herald's Comic Supplement, 1903-1930." American Periodicals: A Journal of History, Criticism, and Bibliography, Teil eines Themenblocks zu "New Approaches to Comics in Periodical Media," erscheint 2022/23.

“Reader Mobilization and the Courting of Fannish Consumption Practices in 1970s Marvel Superhero Comic Books.” Participations: Journal of Audience & Reception Studies, vol. 17, no. 2, November 2020. 

Mit Ruth Mayer. "Fleeting, Fast, and Everywhere: Periodical Modernity. An Introduction." Modernity and the Periodical Press: Trans-Atlantic Mass Culture and the Avantgardes, 1880-1920, edited by Felix Brinker and Ruth Mayer, forthcoming.

“Winsor McCay’s Little Nemo in Slumberland and the Times of Newspaper Comics, 1905-09.” Modernity and the Periodical Press: Trans-Atlantic Mass Culture and the Avantgardes, 1880-1920, edited by Felix Brinker and Ruth Mayer, forthcoming.

Mit Ilka Brasch. "Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in Serial Cinema, 1936-2008." Exploring Seriality on Screen: Audiovisual Narratives in Film and Television, edited by Ariane Hudelet und Anne Crémieux. Routledge, forthcoming in 2021.

“Conspiracy, Procedure, Continuity: Reopening The X-Files.” Television & New Media. Special Issue on American TV Series Revivals. Hg. Kathleen Loock, vol. 19, no. 4, 2018. 

Mit Christina Meyer, Lemma zu “Comics.” Handbuch Popkultur Hgs. Thomas Hecken und Marcus S. Kleiner. J.B. Metzler, 2017.

“Transmedia Storytelling in the 'Marvel Cinematic Universe' and the Logics of Convergence-Era Popular Seriality.” Make Ours Marvel: Media Convergence and a Comics Universe. Hg. Matt Yockey. University of Texas Press, 2017, pp. 207-233.

“On the Political Economy of the Contemporary (Superhero) Blockbuster Series.” Post-Cinema: Theorizing 21st-Century Film. Hgs. Shane Denson und Julia Leyda. REFRAME Books, 2016. 

“NBC's Hannibal and the Politics of Audience Engagement.” Transgressive Television.Politics and Crime in 21st-Century American TV Series. Hgs. Birgit Däwes, Alexandra Ganser, und Nicole Poppenhagen. Winter, 2015, pp. 303-328.

“On the Formal Politics of Narratively Complex Television Series: Operational Self-Reflexivity and Audience Management in Fringe and Homeland.” Poetics of Politics: Textuality and Social Relevance in American Literature and Culture. Hgs. Sebastian M. Herrmann, Carolin Alice Hoffmann, Katja Kanzler, Stefan Schubert, und Frank Usbeck. Winter, 2015, pp. 41-61. 

"Hidden Agendas, Endless Investigations, and the Dynamics of Complexity: The Conspiratorial Mode of Storytelling in Contemporary American Television Series." Aspeers, vol. 5, 2012, pp. 87-109.

"Unspeakable Conduct: Discretions, Imprudences, and the Impossible Bertha Dorset in Edith Wharton's The House of Mirth." [inter]sections vol. 15, no. 4, Summer/Fall 2012, pp. 13-34.

Kürzere Texte und Onlinebeiträge

"Contemporary American Prime-Time Serials and the Logics of Conspiracy." Beitrag zur Themenwoche "Conspiracy Theories" auf InMediaRes. 8.-12. April 2013. 

With Friederike Apelt and Ricarda Wenge. "Postcolonial Studies across the Disciplines. A Report on the 22nd ASNEL Conference at Leibniz University Hanover, 2.-4. Juni 2011." Konferenzbericht. Acolit vol. 68, July 2011, pp. 17-20.